stefano miele & maddox aka riva starr present this new track. incredible number of contacts on youtube: original idea, out of normal lines... success

hot from his immensely popular jungle laps track on john digweeds bedrock 11 lp, marco bailey is about to cause a major commotion with this stunning new 4-track ep. watch out! as the man says... its a burning, all consuming drive that can only be calmed down by getting into the music.

after appearances in numerous end-of-year charts, raffertie continues to meddle with the dna of uk dance music on two ready made anthems. the more ballistic side of rafferties oeuvre is shown on the blazing >7th dimension< with crushed house beats alloyed to swooping bass wobbles and head searing synths, while the oddly affecting >string theory< should only add to his fanbase with an impressive grasp of bassline dynamics and vintage uk rave atmospherics that doesnt sound like much out there.

the single follows in the wake of hells >the dj feat. p. diddy< which has won over floors and critics alike with its nearly 30-minute radio slave remix and fine work from the likes of deetron, jay haze and others. on >u can dance< hell and ferry have similarly pulled out all the stops for the remixes, gathering up work from the grammy-nominated producer carl craig, dfa mainstay tim goldsworthy and pop electro superstars simian mobile disco.

the single follows in the wake of hells >the dj feat. p. diddy< which has won over floors and critics alike with its nearly 30-minute radio slave remix and fine work from the likes of deetron, jay haze and others. on >u can dance< hell and ferry have similarly pulled out all the stops for the remixes, gathering up work from the grammy-nominated producer carl craig, dfa mainstay tim goldsworthy and pop electro superstars simian mobile disco.

it was only a matter of time. two genre-defining artists together ... pop music and dance musics most famous arbiters of taste, collaborating at last. dj hells >u can dance< is an interpretation of an unreleased bryan ferry song, but its one that reflects a perfect melding of two distinct personalities, a record that sounds as if the voice and music were made for each other.
hell, of course, has been riding high on the success of >teufelswerk<, his masterpiece of a double album, a journey replete with fruitful experiments and club bombs. one that has yielded both massive hits and not a tiny bit of controversy along the way. ferry, meanwhile, has been as busy as ever—recording a new album, performing in places as far afield as siberia, opening up the cannes film festival ... basically just being bryan ferry.
and now here they are together ... it all started in 2006 when hell dropped in to meet ferry at his west london studio. at first they discussed hell remixing an old roxy music track, and then it turned into something else - something new (u can dance).
they had similar impressions of one another — hell: >i was impressed by his aura and his look.<, ferry: >he impressed us with his sophistication and charm.< fast forward a few years later, and hell is hard at work on teufelswerk and putting the finishing touches on the aforementioned song titled >u can dance<, a serpentine moroder-esque disco burner. with the help of old friend peter kruder, of kruder and dorfmeister fame, hell fashioned the song into a smoldering nine-minute highlight of the double disc set, in which ferry turns in a typically assured vocal performance.
ferry may seem like an unexpected fan of dance, but hes been going to clubs since he was a teenager, and in his lengthy career hes worked with legends such as nile rodgers of chic and david williams from michael jacksons band. >its always a pleasure to work with people from that genre, who follow a singular groove.<
the single follows in the wake of hells >the dj feat. p. diddy< which has won over floors and critics alike with its nearly 30-minute radio slave remix and fine work from the likes of deetron, jay haze and others. on >u can dance< hell and ferry have similarly pulled out all the stops for the remixes, gathering up work from the grammy-nominated producer carl craig, dfa mainstay tim goldsworthy and pop electro superstars simian mobile disco.

dubsided continue to release bass heavy electro house, and we welcome the follow up ep to sticky ks previous dubsided release. california ep is a wonky 4 tracker stacked with all the right elements and surprising hooks. check out the mad vocal drops in 4 minutes into california, cheeky and a little barmy.

what a start into 2010. tokyos mega house hero satoshi tomiie is making his debut on stir15 with big time support from keepers of the house motorcitysoul. originally planned for digital release only on new york based saw recordings satoshi, hector and the motorcitysoul guys decided to license the original & remixes also to c rocks stir15 outlet to keep vinyl alive and all vinyl djs and lovers in the loop! the music speaks for itself. fat house with oldskool elements but not sounding anachronistic at all. even more, all four mixes made big waves already at green&blue festival and at cocoon london / matter with massive feedback! a sure shot for all house and techhouse heads and a very welcome relief from the current nonpersonal toolhouse releases out there. keep vinyl alive - we take you back to basics!

the ep kicks off with the title track >we rock non-stop<. tight kick drums layered with pitched 808 subs set the basis of the track. chopped up machine and voice samples are then layered with smooth pads and delays to complete the track. the second track of the ep >solvent abuse< sees sync 24 sticking to his dark roots. distorted vocals, haunting pads, trippy sequences and dirty bass combined with rolling beats and subs!
the reverse side of the 12 inch is slightly deeper, techy affair. >chosen module< is a spacious wash of delays and pads mixed with robotic bass and crisp round beats. the final track >marios mushroom< carries on the spaced out trippy theme of the side with more spooky pads, bubbly bass lines and hypnotic rhythms.

from the great success of smallvilles first label compilation >and suddenly its morning< a new deephouse collective evolved: the smallpeople aka dionne, steinhoff & hammouda, jaques le bon and christopher rau. hanging at their record store, djing together and exchanging beats and samples made the lovely hamburg house gang around smallville owners julius steinhoff and just von ahlefeld (aka dionne) an new source of deepest club culture. due to their large output jus ed from bridgeport ny signed another 12inch of the smallpeople for his underground quality imprint to come out right after their amazing debut on laid recordings.

nice price deal !!! official release !
mind-blowing singles, eps, remixes (for the likes of simian mobile disco, little boots, royksopp, lykke li, au revoir simone…), a quickly-growing label (fondation records), and the night is his in most of the worlds major cities: danton eeprom had it all, to the exception of a long-playing record. after making a name for himself with hits like confessions of an english opium-eater, grindhouse or face control, it was time to go off the beaten path and show the way once again. would he go for a fairly logical sweat-ridden dancefloor riot? not precisely. not only. danton would make a revolution of his own, in dandy mode.
three words that will soon be on everyones lips: yes is more. in a cloud of smoke, over a tight booty beat and keys delving deep into thirty years of electronic music, the french londoner sings for good and is all axes out on >thanks for nothing<, making things clear from the very start.

so sorry, its sold out !!!it was ultra limited and no repress !!!

it was in november 2009 when professor dr. geiger presented his epoch-making invention to the public. of course, everyone was really excited, because this invention was said to shake the music industry to its very foundations. from now on, billions of mp3, cd, music cassette as well as ordinary record players should just be scrap, and completely out-of-date. todays dj, one could read in the manual, no longer needs all this. from now on, everything he needs is a 69 bux.
- just fill up to 11.5 liters of liquid vinyl into the vinylator
- internet on
- select track
- press the bum bum button
as soon as the record has been finished and cooled down, the techno-mkx-arm will put it on automatically. you do not need any additional player. we recommend to use an oak wood table. for the next generation, more functions such as autosurf or automix are being planned. 3-phase, variable control: warm-up, party, go home.

body electric has been in very high demand for years. steen gjerulff made this obscure gemm back in 1984, it was only released on limited 7inch. collectors and music lovers has been diggin after this fantastic release for years. now moustache records proudly presents this masterpeice on 12inch for the first time ever. flemming dalum teamed up with steen gjerulff and made this project come true - even with brand new special extended versions. now feel the magic electronic! this power release also contains the ultra rare 5595 track, an out of this world and time futuristic cosmic electro gemm that rocks your socks off for sure... modern space dope sound on top non stop. limited, full colour sleeve and cutted by the only cutter ome lex in this world that still cuts totally analog...

remutes definition of hit-house! incl. snuff crew rmx (gigolo, playhouse) taken from the forthcomingremute-album >the orgy<! watch out

support: hell, ordle meikle (slam), joris voorn, michel cleis, brendon moeller, ed davenport,milton jackson, chris lattner, d julz!! frenchmen alexkid and rodriguez jnr, both respected producers in their own right, have collaborated on a new release for nrk, out this week on 12inch vinyl.

1971 classic by one of the greatest ensembles in the history of rock music.

after a sell out tour, chart bothering hits and general world domination, deadmau5 returns home to mau5trap with the ubiquitous anthem that is strobe.

okains dj career kicked off back in 1999, when at the tender age of 15 he began spinning regularly at parties. influenced by french legend laurent garnier, it wasnt long before he was offered his first residency. since then, he has gone on to play at the hottest of paris nightspots, including the rex club and social club. through playing at the now famous dimuschi parties he teamed up with paul ritch. after some time studying in sound engineering, the pair released their first ep under their handycraft alias on kickboxer. since the success of that >le bal masque< ep, okain has gone on to release on labels including robotronic, bpitch control, four twenty, tsuba, quartz and of course jetaime, and has been fully blooded in the art of touring. gigs have flooded in, and his travels have seen play many of europe s finest nightspots. his >blackrock< ep on quartz earlier this year found fantastic success with so many of you, and today our good friend is back, with the awesome >acrobat<.
the original sees okain take the warm, techy path. a lo-slung groove leads us into the melodic strings. matched with sharp efx, strong beats and a demonic laugh, this is a sure fire winner. first on remix duty is label head alex dee. toughening proceedings, alex creates a driving, somewhat tribal work out. relentless beats work brilliantly with the now chopped vocal, to create dramatic tension that builds to a crescendo in the break. a fantastic mix. a great package already, and one that just got even better with the edition of daniel mehlharts incredible rework. the frankfurt producer is hot property right now, and this mix showcases perfectly just why. deep, warm and moody, with huge helpings of classic detroit touches, the originals strings are accompanied by weighty synth stabs, to stunning effect. essential.

the brazilian hard techno tribe returns! full on brazil to rock the house hard! brilliant style for the big rooms out there! raw!

incl. julien chaptal & afrilounge following the success of last years >cantona kung fu<, tsuba label boss steps out front with the energetic bass heavy workout of >oh yeah<. julien chaptal delivers one of his finest mixes to date with jazzy keys and live double bass whilst on the aa side afrilounge threaten to steal the show with a peak time percussive roller. as tsuba founder kevin has steered the label to be one of the most respected and consistent uk imprints (the 2nd most charted uk label on ra following rekids). recent label events include tsuba showcases at fabric in london and watergate in berlin with more events planned throughout 2010. the recent collaboration with okain has become one of the four:twenty labels best sellers and a new project with justin drake is to be released over the coming months.

a unique opener for haknams first vinyl release by emad parandian.
the tripping a-side >marangai waikawa< leads into archaic vaults - a dark spatial pattern of droning synth atmospheres all maintained at a decisively bass oriented centre. a ceremonial dance, refined with self-played kanjira percussion. mysterious choirs invoke a rainfall of tribal metal percussion.
out of the dust of >marangai waikawa< grows >scud< on the flip. part two of a thrilling journey, pulsing straight forward with pushing noise elements, astute shuffly percussion combined with scattered vocals >changes are gradual<.

minimal wave: both a genre of underground diy electronic music from north america and europe in the late 1970s and 80s, and the name of the label devoted to unearthing these recordings. the minimal wave tapes is the first official anthology of minimal wave music from this label. most of the songs were originally released on limited edition cassettes or vinyl by the artists themselves, and only a handful of people knew about them. they ve been remastered from their analog source tapes and compiled here by minimal waves veronica vasicka and stones throws peanut butter wolf.

ending the brief hiatus that followed the >great lengths< lp and accompanying world tour martyn and 3024 usher in the new decade with a brace of remixes from the deepest recesses of the quasi-house community. first out the gates is 3024-006, helmed by a pair of artists as unique as they are elusive, zomby and redshape.

argys edit of manuel göttschings >sunrain< finally out on vinyl only and officially approved by the original master composer himself. three more mysterious cuts included, ranging from deep spiritual percussive house to disco and detroit. limited edition of only 500 copies.

time for the next release of the mojuba-labelboss don williams to continue his detroit-series on a.r.t.less after sven weisemanns >shove ep<. the main title >vector dance< takes a different way to approach things than its predecessors on the black and red ep! witness the funk and groove that brought us the city from the d combined with a scifi-feel which embodies the vision of techno for many of us! the second track is a soulful ride into deep glimmering field of hi-tech emotions! detroit-lovers check it out!

although they formed in oakland, ca, in 2002, the saviours are a deliberate throwback to an earlier time and place, specifically great britain in the late 70s and early 80s. deeply inspired by the new wave of british heavy metal as well as first generation thrashers like slayer and early metallica, the saviours formed out of the ashes of a minor east bay thrash and screamo band named after the excellently monikered actor yaphet kotto...

>fall into me< finally marks the release of the last and keenly awaited single from jay haze aka fuckponys masterpiece >let the love flow<. the album title says it all - >fall into me< sounds incredibly light, yet catchy and full of energy - a free fall onto the worlds softest pillow. this is how house must sound to lovers. house with soul can be taken literally in this case, as jay has called upon the expert support of laila tov and chela simone. the latterenjoys an international standing and has already lent her sublime, very unique voice to kikis hit single >good voodoo<. here she combines inextricably with jays compact sound aesthetic and makes >fall into me< positively shine.with its atmospheric intro and broad musical range, the original on the a-side sees a welcome reappearance of certain must-have features which will have the hairs on your neck standing up... the accompanying video was shotby emmy nominee daniel michael gahr with chela simone and laila tov in the woods of san francisco.
marco passarani has done the honours on the flip side. a workaholic from the eternal city of rome, marco is the linchpin of the italian techno scene. he produces under the aliases js pool, monomorph and ambit 3 for the labels skam, hymen, clone and peacefrog, and also runs his own labels plasmek, pigna and nature records marcos >fall into me< remix is unmistakably influenced by hiscarefully nurtured detroit roots. however, he employs these stylistic elements very discreetly, retains beats, melody and vocals in his arrangement, takes out a little of the decorative padding from the album, then finally hits us with a wonderful, trancey eight-tone sequence to send us into the realm of dancefloor dreams for ever.

document, pt. 1 is the first in a series of 12 inch s highlighting the established and new breed of talented artists from the spectral sound roster. a cd version compiling these producers with exclusive content will also be out in the spring. this 12 inch is all about the funky grooves build inside the high-quality production and includes tracks by seth troxler feat. matthew dear, ryan crosson and lee curtis as well as a martinez remix

fat city recordings and prime numbers present the much anticipated album in the red by trusme.

plastic rules is steadily moving towards the future with high quality minimal techno releases. 004 was a firm step in the right direct featuring the amazing >someone else<.
now its time for martin woerner (paso music, inclusion) and he delivers another beautiful piece of vinyl for the djs out there. this upcoming is hot and the highlight so far is his track featuring on the cocoon mix cd by dubfire and locodice.
on the flip we have a piemont (my best friend) remix. these guys are hot with remixes already under there belt for trapez, kontor, ministry of sound and many many more..

the spanish connection shows their funky skills on this new hot record. hear the caribbean bras bands march through the streets carnival style on the a-side. fer br pulls all his drummers out of the closet and marches till dawn. on the flip tribal all the way with the luky r.d.u. & peppelino!! hot hot hot!

sometimes a label like syndikaat gets many demos from upcoming artists and sometimes suddenly something stands out so much it just must be signed! barnum & bailey are the new guys and they send us a slammer. very cool uplifting minimal style that just works so easily always. synth driven beats with a pumping bassline. its just like that, listen and let the music take you away.

next smasher from danjel esperanza on his own imprint meleon. check it out!
early played by:
patrick lindsey, paco osuna, bukkador & fishbeck, oscar, haito, ron flatter, sebastian roya, blood & tears, wehbba ...

dj support from: brodinski (turbo), riva starr (made to play), style of eye (pickadoll), zombie disco squad (dirty bird/made to play), teki latex & dj orgasmic (ttc/sound pellegrino), schlachthof bronx (disko b), radioclit (mental groove), douster (zzk), marina (ex-bonde do role), daniel haaksman (man recordings), beni (kitsune), bang gang deejays (modular), trg (tempa), savage skulls (dubsided), top billin (top billin), joyce muniz (man recordings), adam sky (exploited), kissy sell out (bbc radio 1), pathaan (bbc radio1), mixhell (new judas/boys noize), round table knights (deadfish), breakbot (ed banger), malente (exploited/fools gold), kalbata (soul jazz), matt walsh (turbo), john digweed (bbc radio1), lorcan mak, larry tee, ben mono

2017 repress, with jamie and i being die hard fans of prince, i knew that once we sat down to work on this >prince-like< vocal track, the outcome might turn out epic… and it did! >nasty things< became an instant anthem for our dj sets. two takes on the talking heads on the reverse to round it all out

decks tip: track b2 !!!! superb 3 track ep with amazing fresh sounding dubby / spaced out cuts...

uk flavs from teft with mixes from qualifide

2009 was a great year for these days records, and 2010 promises to be even better. the platform stood out for its innovative yet functional club sound and unique artwork concepts. the new year begins with a new split series under the name universal consciousness, based on the idea of connection between all things, and that all things have been coordinated, and they combine to make up the same universe. the first part is dedicated to two very different takes on spiritual, cosmic space techno. on the a-side argys >sometimes im blind< generates a long and uplifting emotional climax, which features a solo that will forever stay in your heart. the track was recorded at the end of 2008, and despite numerous offers to release the record elsewhere, nothing was finalised and the recording never saw the light of day. soon after the birth of his own label, it naturally fit the platform and seemed a perfect way to start the new year. on the flip side, sheffield born alexander ross, brings forth a cavernous techno piece awash with reverberation and spacial echos that brings a driving yet non the less emotionally captivating moment perfectly in balance with the depth of the a-side.

our man ryo murakami sends over the next transmission in his exciting and growing catalogue of productions. always inspired by the raw and soulful sound of chicago and new york, this next ep puts forward his vision and continuation of this timeless house feeling. lead track >just for this< is a wonderful celebration of heavy slow motion house. classic house references and even a few classic samples meet in a dirty, deep ride into the tweaked out and extended vibes of the late night people. a journey through the city of house, a perfect refl ection of the times, bringing warmth and light in a once colder world. graeme clark aka the revenge, a fi gure who has enjoyed much success with his deviant disco sound, steps up for remix duties - and a fi ne job he does too! building his mix from the bare bones, adding a little more pace and forward momentum, his version is also tightly bound within the roots of emotional, deep vibes house. this is an outstanding remix - functional, clear and fully devoted to the classic sound. on the b side a mysterious original, >untitled<, sees ryo pushing things a little further still. the energy levels climb higher and higher as this modern hypno-houser phases and pulses upwards over nearly 8 minutes of jacking, sample laden freshness. we love to visit ryos house, where everybodys welcome and theres smiles all round

includes fat breaks mix by evil nine and a spaced out cadged baby disco trip!!

deep a & biri have been involved in the tel aviv house scene for some time. with this 3 track ep plus digital bonus track they give their debut now.
>twisted tango< is the most stripped down of all three tracks and a real cool groover. one of these tracks that grow enormously with volume and space. these two guys have got a good vision of how dance music should be to clad the clubbers in cotton batting. their cool way of transmitting indifference has always been the carrier of sensuality and sexiness in entertainment and it does create a certain kind of peppermint stench here. the vocals stabs in this one work like dubby elements which deep a & biri drop like things dropping out of your pocket.
>mischievous< is a perfect bassline monster... deep and heavy with a genius >pam pam< vocal stab. we dont know where these samples come from but they are luscious as hell. welcome to the pleasure dome!
>hine gama< is as cool as the two other tracks but but a little more laissez-faire fair. we dont think that anybody will be able to resist this bright light brown colour it shows with all its reflections of intensive sunbeams shining in.
this release fits perfectly to the last release on trapez ltd.

electric city (original) is a classic industrial techno track combining the driving force of relentless beats and bass with the huge rooms the that roland drum machines open up when you put massive reverb on them. its hypnotic and psychotic sounds appeal to the primal side, driving you to forget about coolness and unconditionally express yourself to the beat. uplifiting and dark at the same time, electric city echoes the high tech metropolitain dystopia we live in today. >echoes< presents itself with a forward marching industrial beat, piercing synth lines, and sweat inducing rhtymic patterns. its psycho bleeps are pure industrial funk. when the vocal sets in youll feel the relief on the dancefloor as the straight forward groove brings out the primal need to put your energy and emotion into expression: dance. function s remix of electric city is dark !!

fergie and excentric kicking off the year with ragaroo, a tense builder, winding things up to an uncontrollable level with a mixture of rising and just plain strange sounds, with the usual high production standards that you expect from a fergie track. on remix duties is jus phil (monu digital), who returns to the excentric after his shuffling and bass heavy remix of fergie - break-out from earlier in the year. his take introduces a low slung yet bouncy groove, hooking listeners in before using the weird craggy effects of the original to really take things to a new level of twistedness

the every day fight deep in the inner side of danjel esperanza is such a big antagonism. but its not only in himself, its his life, destiny and his music which he really lives out on his musically diary. and now with his first album ever!
no better place can it be than his label backdoor beauty to describe all the opposed feelings. the album contains nine very deep and soulful songs. deep bubbling pumpin basslines combined with spiritual singing vocals, instruments like violins, flutes, guitars and many more! all recorded together with sounds from outside which gives the unique athmospheric dubby touch and far horizons and it feels at the end like a very hypnotic trip.
inspired and influenced from so many music styles he found his own way in electronical acoustic sounding music to describe the antagonism in danjel esperanzas life and the world...which is like one happy eye and one sad eye....

dug up from the crypts this one is set to explode. todd terry esque synth stabs over top of some larry levan flavored beats. all the accapella pieces are included and on the flip joeski gets to work and brings this retro house jam to the forfront. with a simple bassline and some dubbed out effects on top and a harder kick...

the voyage continues. after dropping his debut album voyage direct, tom trago now drops two favorites from his live set. side a is an extended disco version of use me, morphing in to and out of the original like butter. clocking over 8 minutes use me again becomes somewhat a modern take on the original disco version. its got enough drive to make a dance floor go crazy. side b meanwhile is an exclusive from his live set. here he strips the classic >over & over< to the minimum before sliding into the original groove only for a moment, only to continue to ride the rhythm again. proper club business

incredible album from i-f. including classics such as the hit >space invaders are smoking grass<, >i do because i couldnt care less< and >playstation n°1<. classic album finally back in stock. this one never goes out of style! must have.

pornographic is back in the scene after the special celebration picture disc for its 25th release. now we have new for 2010: the 28th special cut. complete with pornographic artwork like we are used to from the label we have a very special release by luxembourgs vic miranda and toni moreno. vic has a wicked line-up of releases out there and coming up on labels like naked lunch and more. this track is a perfect example of his dancefloor ortientated techno with a funky influence. cristian varela liked it so much he remixed it for the second track of this ep! on the flip we find the funky mambo sound of toni moreno. this is definitely a man to follow in the future if you are into this style techno. funky edits and infectious vocals take you on a trip from start till end! tip!